>Played a couple of games of MLP CCG at Tracon
>Was told that there’s an active scene for the game in my city, in a store close to my work place
>Played a couple of games of MLP CCG at Tracon
Now that the ‘dust’ for that new animation has mostly settled, I’d like to say a few things.
First and foremost I’d to thank all of you for sticking with me all this time, even with my visible lack of productivity on my YouTube channel. It really means a lot to me, and it has been a pretty wild ride all the way through.
However, not all things last forever, and now you probably know where this is going. I’d like to go and say I’m not going to quit ponies altogether, but rather that I’m done with this particular alias. I have no more jokes to tell, and making animations on youtube take so much of my time that I can’t feasibly keep working on them without taking a lot away from my other interests: Programming and, the most recent addition, pixel art.
So what do I mean by “this alias?” Well, what a lot of you might not know is that I drawfag over at 4chan. I started it about a year ago, and as soon as I got into pixel art by making this
shitty sprite I began taking pixel art requests over there as well. Long story short: in one swell swoop it managed to rekindle my interest in animation, but in a different medium, and I basically want to focus on it as far as my interest in art goes.
So now to cut to the chase, my drawfag tumblr is over here, and that’s largely going to be the place where I’m going to post my pony stuff from here on out. I treat it like an art blog, so any cluttering asks sent to it will be posted here instead. Anything non-pony will go over to my personal tumblr here. I’ll be posting pixel art on both, so if you wish to see more of it, please consider following them. I may even open pixel art commissions somewhere down the line, but we’ll see.
Thanks for reading, and again, thanks for all the support over the years.
Want to get into discussing the show with as little effort as possible? We have you covered.
Watch previous seasons here.
Written by GypsyMagic (screencap: http://i.imgur.com/7HBisdQ.png)
Voiced by Double-A.
"Mister Exposition" Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0
PS. Noticed something missing? Then why do you need this video in the first place?
When it’s done(TM). As my notes above imply, 25 clips + 36 “SP”s to go. Probably finished around after September rolls around.
Also been working on a new short (shouldn’t be too hard to guess what it is), but because of my job I don’t have a whole lot of time to work on it outside of weekends. Doesn’t help that the heatwave over here has been killing me. Oh bugger.
Blame purple-yoshi-draws and sterfler for this.
If you’re wondering where I got the instrumental, I recorded the music myself from scratch
I wish I was clever enough to come up with more lyrics to do a whole parody song.
Made my night/early morning.
So word is getting around that Jan Animations received a C&D from Hasbro. A lot of you may be familiar with their work, since that was the channel that brought us “Meet the Bronies” and the “Adventures of Button Mash”.
I thought I’d throw some analysis at this, but first of all I would like to offer some thanks to Jan Animations for posting the C&D order for others to read. If you’ve followed any of our ruminations regarding copyright law and parodies, you’ll know we’ve spent some time wringing our hands in worry over what it might look like if we ever got such a notice. I have to say, I expected some threats, ultimatums, and legal blustering, but it does actually look fairly cordial.
But there’s one factor in this that I worry about more than anything, and it has more to do with the use of OCs.
First of all, it’s important to understand the distinctive parts of the law involved in this case. The copyright aspects are a lesser thing - Jan Animations was making their own cartoons on their own time, so they aren’t guilty of distributing copyright content illegally. Where the big issue lies is with trademarks.
As I understand, Jan Animations did two things wrong. The first is that they used the Cutie Mark Crusaders in their logo. Since Jan Animations doesn’t own those characters, that can be trouble. He’s essentially associating those trademarks to his own brand, and trademarks can be lost when that happens. Now - is it likely that Jan Animations could take over the trademarks of the Cutie Mark Crusaders? Maybe. It’s not terribly likely, though.
However, where there’s probably some real concern is how few people realize that Button Mash is actually a My Little Pony character from the actual show. In fact, when I told Kenza the news, the first thing she asked was, “Would it be okay if they kept doing episodes about Button Mash without the CMC, since he’s their original character?”
Tons of people have been asking this question. As far as trademarks go, that’s kind of the problem. I do not know if Hasbro actually has a trademark on Button Mash. The rules as they’ve been explained to me are complicated, but I doubt they’ve filed any official paperwork on him. That doesn’t mean they don’t have a trademark - trademarks can be held implicitly too. But here’s the thing - if Jan Animations fleshes out Button and makes him their own character, who owns Button? The company it started from as a background character, or the company who made a broader use of him, while many people now recognize Button as the second company’s original character? Well, a question like this is what court is for.
So there may be a couple of elements here. Hasbro may recognize that Button is their character, but most people haven’t. If he became Jan Animation’s trademarked character, it would actually wind up illegal for Hasbro to make toys or do anything with him unless they got permission from Jan Animations. That sort of thing could result in a potential loss of millions of dollars for Hasbro, and you can imagine that heads would roll at the company if that came to pass. So it’s not a good situation, and it’s built around a lot of uncertain potentials.
There’s no case of fair use here, for those who have been saying that. Using comedy characters strictly for comedy isn’t covered - you do need to be making some form of commentary or criticism related to the characters or works that they’re in for a claim of fair use to pass. Aside from that, Button Mash’s use did certainly serve to confuse some people about where the character came from. Not only that, but since Jan Animation had help from John de Lancie and Tara Strong in one of the projects, it would also be hard to tell whether or not they were endorsed by Hasbro as they made their pony videos, which increases confusion with branding and trademarks.
So that’s why it happened, as I can grasp the situation. It’s not a happy thing, but as the law lays out, I think that’s it. Now, that said, it’s important to understand that outrage towards Hasbro over this actually won’t get anyone anywhere. Copyright bullying does occur, but this is not copyright bullying, so it’s not going to go away from people shouting it down.
However, Jan Animation has some great chops as far as their animations go. They’re dead on accurate in the way they design and animate their characters, and they’re a great studio on that front. If you guys want to support them, I think the best thing at this point would be to do so constructively. It’s up to Jan Animations to decide what they want to do next, but if they have fans throwing public support behind them, then maybe they can get a license and work on similar projects going forward, if they’d like. It’s hard to say the best thing to do when it comes to independent art things.
But regardless of what happens, I hope it all works out for Jan Animations’ team. It’s a scary world being one of the little guys.
I think this is the best way of putting it.
Met up with FluttershyElsa over the weekend. What swell fellow.
Doodles for Donations part 2